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Myriam Ben Salah

About Myriam

Myriam Ben Salah is a Tunisian-French curator. Since 2020, she is the director and chief curator of The Renaissance Society in Chicago. She was the co-curator of Made in LA 2020, the Hammer Museum’s biennial in Los Angeles. Ben Salah has served as the editor-in-chief of Kaleidoscope Magazine between 2016 and 2020 and as a curator of special projects and public programs at the Palais de Tokyo, Paris between 2009 and 2016. In 2018 she was the Guest Curator of the 10th edition of the Abraaj Group Art Prize, Dubai. Ben Salah’s projects encompass exhibitions and programs organized at institutions including the Kamel Lazaar Foundation in Tunis, the ICA in London, Beirut Art Center, Kunsthall Stavanger, Kadist Foundation in Paris and San Francisco, Pejman Foundation in Tehran, DESTE Foundation in Athens. She is sits on the scientific committee of MUDAM (Luxembourg) and on the commissioning committee of Hartwig Art Production/Collection Fund. In 2026 she curates the French pavilion at La Biennale di Venezia.

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Galleries

Good Weather

I truly believe Haynes Riley, founder of Good Weather, is one of the best ambassadors Chicago could ask for. He’s a real mover and shaker—not in a self-promoting way, but through deep engagement, curiosity, and generosity. His work and presence have helped shape and champion so many artists and spaces here, and he does it all with passion, humility, and a refreshing sense of integrity.

Mickey

Small, yes—but sharp as hell. It's been consistently sharp in its programming, Mickey brings a level of thoughtfulness and specificity that I always appreciate. 

Corbett vs. Dempsey

A mainstay for good reason. With an eye that deftly bridges historical weight and present-day experimentation, Corbett vs. Dempsey continues to be a crucial player in shaping discourse, not only in Chicago but far beyond.

Institutions

The Renaissance Society

Yes, this is an act of shameless self-promotion. But listen: the Ren is truly one of the most special institutions I know. It’s got this ghost-in-the-machine energy: understated but fiercely experimental, a place where artists can fail spectacularly or stretch ideas past the breaking point. It has no permanent collection, no allegiance to fashion or market whims, and as such, it often produces exhibitions that leave you confused, exhilarated, or both. I feel lucky (and occasionally terrified) to be part of its ongoing mythology.

Local Businesses

Rootstock

Quite possibly the best burger in town—dare I say, the world? Their wine list is exceptional, and the vibe is unpretentious. No reservations, no frills, just a warm and delicious neighborhood gem. 

Lula Cafe

A longstanding RenBen collaborator and a Logan Square institution. Lula feels like going to your most charming and culinarily gifted friend’s house for dinner. They cook with heart and vision, and every dish is served with a kind smile and a sense of occasion.

Tusk

A place of subtle indulgence introduced to me by artist B. Ingrid Olson. Part boutique, part time machine, part art object in itself—Tusk is where I go when I want to treat someone (or myself) to something that exists just outside of trends.

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